by Charles Cameron | Aug 15, 2012 | Monitor
[ by Charles Cameron — two performances of Cage’s 4’33” in the New York and London Times: an interlude in my review of Where the Heart Beats, with a brief meditation on contrapuntal listening ] . I began to review Kay Larson‘s Where the...
by Charles Cameron | Jul 26, 2012 | Monitor
[ by Charles Cameron — two forms of creativity: far out and close in ] . . Some of the most obvious things aren’t obvious at all, until you think of them. The things my friend Derek Robinson talks about as being in the beforeground. Too close to notice /...
