[ by Charles Cameron — following up on Boko Haram “makes Kony look like child’s play” while continuing my explorations in stereocognition, along with two dazzling quotes about music ]
It happened to be the tweet from Elizabeth Pearson in the upper panel above that alerted me to the LRA’s 1996 abduction of schoolgirls in Uganda, which Boko Haram’s 2014 abduction of schoolgirls in Nigeria echoes and amplifies — so I have matched it with another of her tweets, lower panel above, offering an equivalent headline for the Nigerian girls.
My purpose, explicitly stated, is not to equate but to compare the two incidents, and more specifically to allow the acts of the purportedly Christian extremists in Uganda to be in the back of our minds as a comparative, while we consider the current spate of appalling actions of the supposedly Muslim extremists in Nigeria…
And the differences.
I won’t attempt to detail the parallelisms and differences as I see them here, primarily because it’s the habit of analogical thinking I am exploring, not any single (“double”) instance.
A stereocognitive view will add nuance — an additional depth dimension to our perception of these two instances — without losing the detail of either one, just as stereoscopic vision and stereophonic hearing give additional depth to our visual and sonic views of the world.
Here’s another one — this time triggered by an Emptywheel blogpost today. Marcy Wheeler has been following the Ray Davis story for quite a while, so I’ve matched her post noting the echo betwen “JSOC and one CIA official killing attempted abductors in Yemen” and the “Ray Davis episode in Pakistan” with an earlier post on Ray Davis.
You know, if “news echoes” of the sort both Lizz and Marcy are noting were discussed in musical terms — rather than as history repeating itself, say — we’d call them fugal motifs, or if we’re more into Wagner than Bach, leitmotifs perhaps.
As is widely known, Dan Drezner views his interest through the lens of the undead in his book Theories of International Politics and Zombies — I’d like to view mine through the lens of music, as in these two quotes I’m fond of repeating — they’re a bit long to fit readably into DoubleQuotes format, so I’ll just put them in blockquotes:
From Cornelius Castoriadis, World in Fragments
Philosophers almost always start by saying: “I want to see what being is, what reality is. Now, here is a table. What does this table show to me as characteristic of a real being?” No philosopher ever started by saying: “I want to see what being is, what reality is. Now, here is my memory of my dream of last night. What does this show to me as characteristic of a real being?” No philosopher ever starts by saying “Let the Mozart’s Requiem be a paradigm of being, let us start from that.” Why could we not start by positing a dream, a poem, a symphony as paradigmatic of the fullness of being and by seeing in the physical world a deficient mode of being, instead of looking at things the other way round, instead of seeing in the imaginary — that is, human — mode of existence, a deficient or secondary mode of being?
and from Edward Said, Power, Politics, and Culture
When you think about it, when you think about Jew and Palestinian not separately, but as part of a symphony, there is something magnificently imposing about it. A very rich, also very tragic, also in many ways desperate history of extremes — opposites in the Hegelian sense — that is yet to receive its due. So what you are faced with is a kind of sublime grandeur of a series of tragedies, of losses, of sacrifices, of pain that would take the brain of a Bach to figure out. It would require the imagination of someone like Edmund Burke to fathom.