[ by Charles Cameron — product from a neat, brief convo with Ibn Siqilli aka Chris Anzalone ]
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I found the upper image in the same Visual References post from Chris Anzalone that I recommended recently in two comments here [figs 2, 3, 3B] and here. If you look closely — or is just my poor eyesight? — you’ll see the arm, fist and rifle to the left of the black banner in the upper half of the upper image.

Black banner? Did I just say black banner?

That upper image is the “logo of the Brigade of the Awaited Savior (Katibat al-Mahdi al-Muntazar)” according to Chris, and the text below reads, “O’ One Who Arises (al-Qa’im) [from] the family of Muhammad.”

So there you have Mahdism (the titles al-Muntazar and al-Qa’im are both indicators of the same returning great one as the term al-Mahdi itself) along with the well-known banner…

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What follows I have taken from a post on the Lebanese Expatriate blog, with some minor format changes to give the contents better graphical integration with the rest of the post:

For those with the slightest knowledge about Hezbollah and the Middle East, I am not sharing with you something new, but for those who receive this information as a revelation, check out the resemblance between the emblem of Hezbollah and that of the Pasdaran, a.k.a Army of the Guardians of the Islamic Revolution.

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— Hezbollah emblem to the left in yellow. Pasdaran emblem to the right in blue.
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So what’s new? Why am I shedding light on what is already obvious? Why target Hezbollah today, out of all the parties that have been selling Lebanon?

Today, more than ever, Hezbollah and Iran owe Lebanon an explanation. Take a look at the 10 Riyal postage stamp that is circulated in Iran.

 

Iranian 10 Riyal postage stamp showing the emblem of Hezbollah covering the whole map of Lebanon. A clear symbol of the hidden intentions and a direct breach for the sovereignty of Lebanon’s independence as a nation.

The stamp commemorates the martyrs of Hezbollah in Lebanon. Isn’t this an obvious breach of Lebanon’s sovereignty as a nation? I understand the bff relationship between Iran and Hezbollah, but why does Iran need to have Hezbollah’s emblem covering the Lebanese territories instead of the Lebanese flag? Why does Iran need to commemorate the Lebanese martyrs in the first place?

What does Hezbollah have to say about this in the first place? How can Hezbollah justify such a demeaning document? What can its big-bellied, tie-less MPs and representatives say to logically justify this? Will they even attempt to justify it, or consider it normal and not even worth concealing with the whole world’s knowledge of its non-matrimonial marriage to Iran.

As a Lebanese, I ask my government (which is controlled by Hezbollah) to question the Iranian ambassador about the motives of this stamp and ban its circulation.

As a Lebanese, I ask Hezbollah to denounce the usage and circulation of this stamp in Iran and ask the Iranian state for an apology to the Lebanese people and its government.

That’s taken from a post made in January, but I think it is no less relevant today, and adds to the general picture I’m painting.

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I put this post together as the result of an exchange with Chris in which I asked him whether a raised arm with slanted rifle was now a characteristic motif across many or all Shi’a jihadist movements, to which he responded:

Those groups influenced by Hizbullah &, by extension, Iranian Gov’t, seem to favor it, likely b/c it’s used by the Pasdaran.

I then asked whether he’d say Hizbollah got the motif from the Pasdaran or vice versa, to which he replied:

The former.

I stumbled across the DoubleQuote image and accompanying Lebanese Expatriate post myself, searching for the best image of a Pasdaran flag or logo while following up on Chris’ pointer to the Pasdaran — and that gave me yet another use of DoubleQuotes in the wild!

Hat-tip, #FF and thanks, Chris!

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Quiet note to self: compare the arm, fist and rifle motif here with the name of the Covenant, Sword, and Arm of the Lord group in 1970s Arkansas. Most interesting, the way we display value systems in titles and images…